When money moves, the camera moves too
Our first collaboration with Dra House and Robolt. Here we laid the pipeline foundations: we ingested and mapped into Unreal all telemetry from the Bolt robotic arm —position, rotation and lens metadata— and configured from scratch their 12×4 m LED volume (1.8 mm pixel pitch) to shoot with total control over motion and perspective.
Ten locations, one set
The spot needed to travel across multiple brand touchpoints. We built a multi-level project with environments ready to switch in seconds: fast food, restaurant, pharmacy, aesthetic clinic, clothing store, Seven-Eleven, airport exterior, airport interior, classic street and office street. One stage, ten coherent locations, seamless visual continuity.
Empty heading.
What we delivered (precision you can’t improvise)
• Bolt → Unreal integration: real-time position, rotation and lens for a perfect match between physical and virtual cameras.
• Fixed-lens calibration: we replicated optical behaviour in the virtual camera to keep geometry and depth consistent frame by frame.
• LED volume setup: wall configuration, profiles and project structure for fast, reliable environment changes during the shoot.
Result: a campaign with production agility, visual consistency across environments and precise camera moves that elevate brand perception.
• Fixed-lens calibration: we replicated optical behaviour in the virtual camera to keep geometry and depth consistent frame by frame.
• LED volume setup: wall configuration, profiles and project structure for fast, reliable environment changes during the shoot.
Result: a campaign with production agility, visual consistency across environments and precise camera moves that elevate brand perception.