When traditional shooting was not longer enough
El legado de Jordi Pujol, su confesión y la sombra política que proyecta sobre generaciones enteras pedían una narrativa con peso, atmósfera y una puesta en escena tan ambiciosa como precisa. Pero replicar físicamente los entornos de una figura histórica tan compleja, con recursos limitados y múltiples localizaciones, era sencillamente inviable.
Aquí es donde la producción virtual se convirtió en la única vía posible para contar una historia real con una puesta en escena cinematográfica. Y donde Acid Drops hizo la mezcla.
SHOOTING A FILM WITHOUT EVER LEAVING THE SET: HERE’S HOW WE DID IT
Parenostre became the first Spanish feature film made entirely with virtual production technology—a milestone for both the national industry and for us. The entire film was shot on set, but every location was digitally built, rendered in real time, and displayed on LED walls.
Empty heading.
OUR JOB WAS TO BUILD THE WORLD WHERE THE SINS ARE TOLD
For this feature, the Acid Drops team was responsible for designing, developing, and deploying six of the digital environments used throughout the production. From institutional offices to domestic interiors charged with political tension, each set was modeled, textured, and tailored to the film’s visual narrative.
Our task wasn’t just to create the sets—it was to imbue them with realism, depth, and atmosphere. Spaces where light spoke as loudly as the dialogue. Settings where the audience could feel immersed in a public confession—uncomfortable and powerful.