UN ESTUDIO, UN THRILLER Y 12K DE DESAFÍO TÉCNICO Nuestra misión era clara: validar que todo encajase y operar las herramientas necesarias para la primera producción del estudio. Pero...
When money moves, the camera moves too First project with Dra House and Robolt. Here we laid the foundations for the pipeline: we received and mapped all the...
Formación que se rueda como cine Transformamos una serie de módulos sobre liderazgo y gestión de crisis en una experiencia visual coherente y elegante. El reto no era solo...
Cuando el Cosplay se convirtió en cine en tiempo real En Málaga Comic Con llevamos la producción virtual al centro de la experiencia fan. Creamos un espacio de rodaje...
Information needs great scenary too. In a world where television visually competes with digital platforms, news programming can’t afford to fall behind. This news set is our proposal designed to show how virtual production can refresh the classic news format...
A podcast with more fandom than budget (but that´s not a problem) La Cantina del Cine isn’t your average podcast. It’s an endless post-meal chat among friends...
A conversation that deserved its own stage. How do you capture the essence of flamenco—its intensity, its tradition, and its power—within a virtual environment? That was the question...
What no longer exists... We rebuilt it. The Mexuar Palace, the original entrance to the Alhambra palace complex in Granada, was a key administrative and political center during the Nasrid dynasty.
When nature has to be perfect from the very first frame. Audi couldn’t settle for a generic setting to showcase its new Q6 model. The campaign demanded a flawless natural environment—technically precise and visually striking—but without relying on physical locations or unpredictable shooting conditions.
The Observer starts from a minimal premise: an alien ship, one crew member, and a universe yet to be written. From there, at Acid Drops we decided to expand the concept into a full visual environment.
Where tradition becomes a testing ground. Plaza del Conde de Miranda, in the heart of Madrid, served as the real-world location we scanned and transformed into a digital environment using high-precision photogrammetry techniques.
Folklore, fiction, and technology. This is how the story begins. What happens when an old Scottish legend about selkies and transformations meets the cutting edge tech of virtual production? Don’t Feed Seals is born.
59 Segundos is one of the most iconic programs on public television, hosted by Gemma Nierga, where experts and analysts tackle the issues that matter most to citizens—within a strict time limit.
When traditional shooting was no longer enough.The legacy of Jordi Pujol, his confession, and the political shadow he casts over entire generations demanded a narrative with weight...
UN ESTUDIO, UN THRILLER Y 12K DE DESAFÍO TÉCNICO Nuestra misión era clara: validar que todo encajase y operar las herramientas necesarias para la primera producción del estudio. Pero...
When money moves, the camera moves too First project with Dra House and Robolt. Here we laid the foundations for the pipeline: we received and mapped all the...
Formación que se rueda como cine Transformamos una serie de módulos sobre liderazgo y gestión de crisis en una experiencia visual coherente y elegante. El reto no era solo...
Cuando el Cosplay se convirtió en cine en tiempo real En Málaga Comic Con llevamos la producción virtual al centro de la experiencia fan. Creamos un espacio de rodaje...
Information needs great scenary too. In a world where television visually competes with digital platforms, news programming can’t afford to fall behind. This news set is our proposal designed to show how virtual production can refresh the classic news format...
A podcast with more fandom than budget (but that´s not a problem) La Cantina del Cine isn’t your average podcast. It’s an endless post-meal chat among friends...
A conversation that deserved its own stage. How do you capture the essence of flamenco—its intensity, its tradition, and its power—within a virtual environment? That was the question...
What no longer exists... We rebuilt it. The Mexuar Palace, the original entrance to the Alhambra palace complex in Granada, was a key administrative and political center during the Nasrid dynasty.
When nature has to be perfect from the very first frame. Audi couldn’t settle for a generic setting to showcase its new Q6 model. The campaign demanded a flawless natural environment—technically precise and visually striking—but without relying on physical locations or unpredictable shooting conditions.
The Observer starts from a minimal premise: an alien ship, one crew member, and a universe yet to be written. From there, at Acid Drops we decided to expand the concept into a full visual environment.
Where tradition becomes a testing ground. Plaza del Conde de Miranda, in the heart of Madrid, served as the real-world location we scanned and transformed into a digital environment using high-precision photogrammetry techniques.
Folklore, fiction, and technology. This is how the story begins. What happens when an old Scottish legend about selkies and transformations meets the cutting edge tech of virtual production? Don’t Feed Seals is born.
59 Segundos is one of the most iconic programs on public television, hosted by Gemma Nierga, where experts and analysts tackle the issues that matter most to citizens—within a strict time limit.
When traditional shooting was no longer enough.The legacy of Jordi Pujol, his confession, and the political shadow he casts over entire generations demanded a narrative with weight...