{"id":79,"date":"2022-02-28T09:16:38","date_gmt":"2022-02-28T09:16:38","guid":{"rendered":"https:\/\/shtheme.com\/demosd\/stylex\/?page_id=79"},"modified":"2026-02-18T15:26:54","modified_gmt":"2026-02-18T15:26:54","slug":"proyectos","status":"publish","type":"page","link":"https:\/\/aciddrops.com\/en\/proyectos\/","title":{"rendered":"PROJECTS"},"content":{"rendered":"
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MIND-BLOWING
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We create tailor-made realities. Here you can see them.<\/div>\n \n \t \n \n
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At Acid Drops, we turn ideas into virtual environments ready for shooting. This selection showcases how we apply our technology in real projects for film, television, advertising, events, and immersive experiences<\/span>. From sci-fi sets to hyper-realistic environments, every project is a fusion of technique, art, and vision.\n\nExplore what we do.Imagine what we could create together<\/span>.<\/div>\n \n <\/div>\n <\/div>\n \n <\/div>\n \n \n
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<\/div>\n \n \n Ascensor + DMX: integraci\u00f3n en set (Portugal)<\/span>\n \n \n
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\n Beatriz
\u00c1ngelo <\/span><\/a> \n <\/div>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t Un ascensor, un buz\u00f3n y una integraci\u00f3n que no perdona Beatriz \u00c1ngelo es un proyecto rodado en Portugal en el que Acid Drops particip\u00f3 como asistencia de supervisi\u00f3n t\u00e9cnica... \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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<\/div>\n \n \n Portugal, cr\u00edmenes y producci\u00f3n virtual<\/span>\n \n \n
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\n Lisbon
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t UN ESTUDIO, UN THRILLER Y 12K DE DESAF\u00cdO T\u00c9CNICO Nuestra misi\u00f3n era clara: validar que todo encajase y operar las herramientas necesarias para la primera producci\u00f3n del estudio. Pero... \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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<\/div>\n \n \n Efectivo en ruta, c\u00e1mara al mil\u00edmetro<\/span>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t When money moves, the camera moves too First project with Dra House and Robolt. Here we laid the foundations for the pipeline: we received and mapped all the... \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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<\/div>\n \n \n La formaci\u00f3n se rueda en virtual<\/span>\n \n \n
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\n Rub\u00e9n Turienzo<\/span><\/a> \n <\/div>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t Formaci\u00f3n que se rueda como cine Transformamos una serie de m\u00f3dulos sobre liderazgo y gesti\u00f3n de crisis en una experiencia visual coherente y elegante. El reto no era solo... \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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<\/div>\n \n \n Producci\u00f3n virtual superher\u00f3ica<\/span>\n \n \n
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\n M\u00e1laga
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t Cuando el Cosplay se convirti\u00f3 en cine en tiempo real En M\u00e1laga Comic Con llevamos la producci\u00f3n virtual al centro de la experiencia fan. Creamos un espacio de rodaje... \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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<\/div>\n \n \n Producci\u00f3n virtual en Prime Time<\/span>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t Information needs great scenary too. In a world where television visually competes with digital platforms, news programming can\u2019t afford to fall behind. This news set is our proposal designed to show how virtual production can refresh the classic news format... \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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<\/div>\n \n \n When fandom becomes the stage<\/span>\n \n \n
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\n La Cantina
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t A podcast with more fandom than budget (but that\u00b4s not a problem) La Cantina del Cine isn\u2019t your average podcast. It\u2019s an endless post-meal chat among friends... \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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<\/div>\n \n \n Producci\u00f3n virtual con mucho arte<\/span>\n \n \n
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\n Tablao Flamenco<\/span><\/a> \n <\/div>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t A conversation that deserved its own stage. How do you capture the essence of flamenco\u2014its intensity, its tradition, and its power\u2014within a virtual environment? That was the question... \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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<\/div>\n \n \n La historia vuelve a la vida en virtual<\/span>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t What no longer exists... We rebuilt it. The Mexuar Palace, the original entrance to the Alhambra palace complex in Granada, was a key administrative and political center during the Nasrid dynasty. \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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<\/div>\n \n \n Cuando la VP se cruza en tu camino<\/span>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t When nature has to be perfect from the very first frame. Audi couldn\u2019t settle for a generic setting to showcase its new Q6 model. The campaign demanded a flawless natural environment\u2014technically precise and visually striking\u2014but without relying on physical locations or unpredictable shooting conditions. \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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<\/div>\n \n \n Virtual Sci-fi for not yet existing worlds.<\/span>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t The Observer starts from a minimal premise: an alien ship, one crew member, and a universe yet to be written. From there, at Acid Drops we decided to expand the concept into a full visual environment. \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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<\/div>\n \n \n A real environment turned into a classroom and testing ground<\/span>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t Where tradition becomes a testing ground. Plaza del Conde de Miranda, in the heart of Madrid, served as the real-world location we scanned and transformed into a digital environment using high-precision photogrammetry techniques. \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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<\/div>\n \n \n Folclore, ficci\u00f3n y unas gotas de producci\u00f3n virtual<\/span>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t Folklore, fiction, and technology. This is how the story begins. What happens when an old Scottish legend about selkies and transformations meets the cutting edge tech of virtual production? Don\u2019t Feed Seals is born. \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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<\/div>\n \n \n Augmented Reality for prime time debate<\/span>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t 59 Segundos is one of the most iconic programs on public television, hosted by Gemma Nierga, where experts and analysts tackle the issues that matter most to citizens\u2014within a strict time limit. \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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\n \t\t\t\t\t\t\t\t\t\t\t\t\t When traditional shooting was no longer enough.The legacy of Jordi Pujol, his confession, and the political shadow he casts over entire generations demanded a narrative with weight... \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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\n \t\t\t\t\t\t\t\t\t\t\t\t\t Beauty that rotates to the millimeter Second project with Dra House and Robolt. The challenge: to coordinate a beauty commercial where the product rotates on a physical Giratutto while... \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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We create tailor-made realities. Here you can see them.<\/div>\n \n \t \n \n
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At Acid Drops, we turn ideas into virtual environments ready for shooting. This selection showcases how we apply our technology in real projects for film, television, advertising, events, and immersive experiences<\/span>. From sci-fi sets to hyper-realistic environments, every project is a fusion of technique, art, and vision.\n\nExplore what we do.Imagine what we could create together<\/span>.<\/div>\n \n <\/div>\n <\/div>\n \n <\/div>\n \n \n
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<\/div>\n \n \n Ascensor + DMX: integraci\u00f3n en set (Portugal)<\/span>\n \n \n
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\n Beatriz
\u00c1ngelo <\/span><\/a> \n <\/div>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t Un ascensor, un buz\u00f3n y una integraci\u00f3n que no perdona Beatriz \u00c1ngelo es un proyecto rodado en Portugal en el que Acid Drops particip\u00f3 como asistencia de supervisi\u00f3n t\u00e9cnica... \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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\n \n \t\t\t\t\t\t\t\t\t\t\t\t Ver proyecto\t\t\t\t\t\t\t\t\t\t \t\t\t\t\t\t\t\t\t\t\t <\/span>\n <\/div>\n <\/a>\n <\/div>\n \n \n
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<\/div>\n \n \n Portugal, cr\u00edmenes y producci\u00f3n virtual<\/span>\n \n \n
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\n Lisbon
Noir <\/span><\/a> \n <\/div>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t UN ESTUDIO, UN THRILLER Y 12K DE DESAF\u00cdO T\u00c9CNICO Nuestra misi\u00f3n era clara: validar que todo encajase y operar las herramientas necesarias para la primera producci\u00f3n del estudio. Pero... \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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\n \n \t\t\t\t\t\t\t\t\t\t\t\t Ver proyecto\t\t\t\t\t\t\t\t\t\t \t\t\t\t\t\t\t\t\t\t\t <\/span>\n <\/div>\n <\/a>\n <\/div>\n \n \n
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<\/div>\n \n \n Efectivo en ruta, c\u00e1mara al mil\u00edmetro<\/span>\n \n \n
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\n Loomis<\/a> \n <\/div>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t When money moves, the camera moves too First project with Dra House and Robolt. Here we laid the foundations for the pipeline: we received and mapped all the... \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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\n \n \t\t\t\t\t\t\t\t\t\t\t\t Ver proyecto\t\t\t\t\t\t\t\t\t\t \t\t\t\t\t\t\t\t\t\t\t <\/span>\n <\/div>\n <\/a>\n <\/div>\n \n \n
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<\/div>\n \n \n La formaci\u00f3n se rueda en virtual<\/span>\n \n \n
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\n Rub\u00e9n Turienzo<\/span><\/a> \n <\/div>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t Formaci\u00f3n que se rueda como cine Transformamos una serie de m\u00f3dulos sobre liderazgo y gesti\u00f3n de crisis en una experiencia visual coherente y elegante. El reto no era solo... \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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<\/div>\n \n \n Producci\u00f3n virtual superher\u00f3ica<\/span>\n \n \n
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\n M\u00e1laga
Comic Con <\/span><\/a> \n <\/div>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t Cuando el Cosplay se convirti\u00f3 en cine en tiempo real En M\u00e1laga Comic Con llevamos la producci\u00f3n virtual al centro de la experiencia fan. Creamos un espacio de rodaje... \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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<\/div>\n \n \n Producci\u00f3n virtual en Prime Time<\/span>\n \n \n
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\n Virtual set for
news<\/span><\/a> \n <\/div>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t Information needs great scenary too. In a world where television visually competes with digital platforms, news programming can\u2019t afford to fall behind. This news set is our proposal designed to show how virtual production can refresh the classic news format... \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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\n \n \t\t\t\t\t\t\t\t\t\t\t\t Ver proyecto\t\t\t\t\t\t\t\t\t\t \t\t\t\t\t\t\t\t\t\t\t <\/span>\n <\/div>\n <\/a>\n <\/div>\n \n \n
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<\/div>\n \n \n When fandom becomes the stage<\/span>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t A podcast with more fandom than budget (but that\u00b4s not a problem) La Cantina del Cine isn\u2019t your average podcast. It\u2019s an endless post-meal chat among friends... \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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<\/div>\n \n \n Producci\u00f3n virtual con mucho arte<\/span>\n \n \n
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\n Tablao Flamenco<\/span><\/a> \n <\/div>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t A conversation that deserved its own stage. How do you capture the essence of flamenco\u2014its intensity, its tradition, and its power\u2014within a virtual environment? That was the question... \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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\n \n \t\t\t\t\t\t\t\t\t\t\t\t Ver proyecto\t\t\t\t\t\t\t\t\t\t \t\t\t\t\t\t\t\t\t\t\t <\/span>\n <\/div>\n <\/a>\n <\/div>\n \n \n
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<\/div>\n \n \n La historia vuelve a la vida en virtual<\/span>\n \n \n
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\n Palacio Mexuar
Heritage<\/span><\/a> \n <\/div>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t What no longer exists... We rebuilt it. The Mexuar Palace, the original entrance to the Alhambra palace complex in Granada, was a key administrative and political center during the Nasrid dynasty. \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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\n \n \t\t\t\t\t\t\t\t\t\t\t\t Ver proyecto\t\t\t\t\t\t\t\t\t\t \t\t\t\t\t\t\t\t\t\t\t <\/span>\n <\/div>\n <\/a>\n <\/div>\n \n \n
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<\/div>\n \n \n Cuando la VP se cruza en tu camino<\/span>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t When nature has to be perfect from the very first frame. Audi couldn\u2019t settle for a generic setting to showcase its new Q6 model. The campaign demanded a flawless natural environment\u2014technically precise and visually striking\u2014but without relying on physical locations or unpredictable shooting conditions. \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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<\/div>\n \n \n Virtual Sci-fi for not yet existing worlds.<\/span>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t The Observer starts from a minimal premise: an alien ship, one crew member, and a universe yet to be written. From there, at Acid Drops we decided to expand the concept into a full visual environment. \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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<\/div>\n \n \n A real environment turned into a classroom and testing ground<\/span>\n \n \n
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Plaza del Conde de Miranda<\/span><\/a> \n <\/div>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t Where tradition becomes a testing ground. Plaza del Conde de Miranda, in the heart of Madrid, served as the real-world location we scanned and transformed into a digital environment using high-precision photogrammetry techniques. \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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<\/div>\n \n \n Folclore, ficci\u00f3n y unas gotas de producci\u00f3n virtual<\/span>\n \n \n
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Seals<\/span><\/a> \n <\/div>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t Folklore, fiction, and technology. This is how the story begins. What happens when an old Scottish legend about selkies and transformations meets the cutting edge tech of virtual production? Don\u2019t Feed Seals is born. \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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<\/div>\n \n \n Augmented Reality for prime time debate<\/span>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t 59 Segundos is one of the most iconic programs on public television, hosted by Gemma Nierga, where experts and analysts tackle the issues that matter most to citizens\u2014within a strict time limit. \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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\n \t\t\t\t\t\t\t\t\t\t\t\t\t When traditional shooting was no longer enough.The legacy of Jordi Pujol, his confession, and the political shadow he casts over entire generations demanded a narrative with weight... \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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<\/div>\n \n \n Cuando el thriller se cruz\u00f3 con la VP<\/span>\n \n \n
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\n Erborian<\/a> \n <\/div>\n \n \n
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\n \t\t\t\t\t\t\t\t\t\t\t\t\t Beauty that rotates to the millimeter Second project with Dra House and Robolt. The challenge: to coordinate a beauty commercial where the product rotates on a physical Giratutto while... \n\t\t\t\t\t\t\t\t\t\t\t\t\t \t \n <\/p>\n <\/div>\n \n \n

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\r\n Let's talk!<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/div>\r\n \r\n \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

PROYECTOS ALUCINANTES Creamos realidades a medida. Aqu\u00ed puedes verlas. En Acid Drops transformamos ideas en entornos virtuales listos para rodar. Esta selecci\u00f3n muestra c\u00f3mo aplicamos nuestra tecnolog\u00eda en proyectos reales de cine, televisi\u00f3n, publicidad, eventos y experiencias inmersivas. Desde sets de ciencia ficci\u00f3n hasta entornos hiperrealistas, cada proyecto es una mezcla de t\u00e9cnica, arte y […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/pages.php","meta":{"inline_featured_image":false,"footnotes":""},"categories":[],"class_list":["post-79","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/aciddrops.com\/en\/wp-json\/wp\/v2\/pages\/79","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aciddrops.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/aciddrops.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/aciddrops.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aciddrops.com\/en\/wp-json\/wp\/v2\/comments?post=79"}],"version-history":[{"count":61,"href":"https:\/\/aciddrops.com\/en\/wp-json\/wp\/v2\/pages\/79\/revisions"}],"predecessor-version":[{"id":3070,"href":"https:\/\/aciddrops.com\/en\/wp-json\/wp\/v2\/pages\/79\/revisions\/3070"}],"wp:attachment":[{"href":"https:\/\/aciddrops.com\/en\/wp-json\/wp\/v2\/media?parent=79"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aciddrops.com\/en\/wp-json\/wp\/v2\/categories?post=79"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}